The Hyper Sonic Motor (HSM) makes sure that the autofocus system is fast, accurate, and quiet. That means the lens stays the same length at all times. The floating inner focusing system moves two lens groups around independently to achieve internal focus. At the same time, the Super Multi-Layer Coating improves contrast by reducing flare and ghosting. Special Low Dispersion (SLD) and High Refractive index (HR) glass corrects field curvature and chromatic and spherical aberration. It features internal focusing, an extra blade in the diaphragm to improve bokeh, reduced vignetting, and an Optical Stabilizer (OS) to facilitate handheld close-ups. And the working distance of 14.6cm (6.9″) is decent enough. This third-generation medium telephoto macro lens is an overhaul of the previous version. The Ultra Multi Coating (UMC) glass is designed to eliminate undue ghosting and lens flare.
The High Refractive (HR) and Extra-low Dispersion (ED) lenses reduce color aberration and light dispersion to improve overall image resolution. The nine-bladed diaphragm offers attractive bokeh. This is a Samyang lens sold under the Rokinon brand in the United States. Samyang/Rokinon 100mm f/2.8 ED UMC Full-Frame Telephoto Macro Optics similar to or better than Nikon macro lensesĨ.Smaller and lighter than Nikon equivalents.Wide maximum aperture suitable for low light.(ATX-I FF stands for Advanced Technology eXtra-Interactive Full-Frame.) However, the working distance at 1:1 of 4.5″ is a little too close for comfort.
#Best bokeh lens nikon dx manual
In a neat feature, the One-touch Focus Clutch mechanism lets you switch between autofocus and manual focus by snapping the focus ring forward and back. That means images are sharp from edge to edge, and the multi-coatings improve contrast by eliminating flare and ghosting. This lens’s “flat-field” optical design means zero field-of-view curvature. A wide, easy-to-grip focus ring, allowing precise adjustment.Minimal chromatic aberration, flare, and distortion.Sharp in center of the frame at close range.So it’s not ideal if you want to shoot handheld. Plus, it eliminates vignetting, distortion, and color fringing in the background.īut it’s a big, heavy lens without autofocus or optical stabilization. The working distance at 1:1 is longer than most other lenses. Here’s our list of the best macro lenses for Nikon users. But they disappoint in terms of what matters, which is image quality. It’s also important to point out that third-party lenses often flatter to deceive, offering what looks like better specifications at a lower price than Nikon’s range of lenses. Then you can combine them later to get front-to-back sharpness in your subject. It allows you to take dozens or even hundreds of images at different focus settings.
In that case, you might be more interested in a lens that supports Nikon’s “focus shift” method of focus stacking. For instance, autofocus and stabilization are vital if you’re hand-holding, but much less so if you’re a ‘serious’ macro photographer using a tripod and strobes.
It also depends on your personal preferences. That’s because it multiplies the effective focal length by the crop factor (1.5 in the case of the DX range of Nikon cameras). It’s also true that a shorter lens is fine if you have an APS-C sensor camera. If you’re working handheld or in low light, that can be a pain. However, they tend to be heavier with a narrower maximum aperture. That means you’re more likely to get smooth bokeh and less likely to frighten off any shy insects or block natural light-especially when using a lens hood or if your lens doesn’t have internal focusing. So you’ll have to make a few trade-offs.įor example, longer lenses allow you a greater working distance from your subject.
Unfortunately, some of these factors conflict. image stabilization (if you shoot handheld).maximum aperture (for low-light conditions).working distance at 1:1 (i.e., the distance from the front of the lens to the subject, which is confusingly less than the minimum focusing distance, measured from the sensor plane!).magnification (1:1 reproduction ratio or better).Here are eight factors to consider when choosing a macro lens: However, most macro lenses’ sharpness and wide maximum apertures mean they’re also suited to portrait work-if you can find one that focuses fast enough! Macro photography creates the most beautiful and arresting natural world images with maximum convenience.
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